Sigiriya, the spectacular 'Lion rock' fortress, stands majestically overlooking the luscious green jungle surroundings, and is one of Sri Lanka's major attractions.
This was built by King Kasyapa, a son of King Dhatusena, by a palace consort. As legend goes, King Dhatusena was overthrown and walled in, alive by Kasyapa in 473 AD. Mogallana, Dhatusena's son by the true queen fled to India, vowing revenge.
Kasyapa fearing an invasion built this impregnable fortress at Sigiriya.
When the invasion finally came in 491, Kasyapa rode out to battle in his war elephant.In an attempt to out-flank his half-brother, Kasyapa took a wrong turn, where his elephant got stuck in the mud. His soldiers, thinking Kasyapa was retreating fled abandoning him, and he took his own life.
Sigiriya later became a monastic refuge, but eventually fell into disrepair.
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Water Gardens
The beautifully and elaborately landscaped water gardens, contain a complex network of underground water distribution system, which provides water to the Royal baths, the many little moated islands & fountains, some fountains still work during the rainy season! A superb view of the Gardens could be had from halfway up the rock.
Frescoes - The Sigiriya Damsels
About halfway up the rock is a sheltered gallery of frescoes painted on the sheer rock face. The 'Heavenly Maidens' are similar in style to the paintings of Ajantha in India. Some of them are still in remarkably good condition. Only 22 out of an estimated 500 pictures now remain. Flash photography is not allowed at this site.
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The Mirror Wall with Graffiti
Beyond the fresco gallery, the pathway circles the the sheer face of the rock, and is protected by a 3m high wall. This wall was coated with a mirror-smooth glaze, in which visitors over 1000 years ago noted their impressions of the women in the gallery above. The graffiti was mostly inscribed between the 7th and 11th Century AD. 685 of them have been deciphered and published. The graffiti are a great source for the scholars to study the development of the Sinhala language and script.
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Lion Platform
The Northern end of the rock the pathway emerges to a platform, from which the rock derives its name Sigiriya (the Lion Rock). At one time a gigantic brick lion sat at the end of the rock, and the final ascent to the summit was between the lions paws and into it's mouth! Today the lion has disappeared, only the paws and the first steps are visible.
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The Summit
Covering an area of around 1.6 hectares, the remains of the foundations show that the summit would have been completely covered with buildings. The design, layout and magnificent views that it still enjoys to this day, suggest Sigiriya would have been more of a royal palace of pleasure than a fortress. A pond scooped out of solid rock measuring 27m x 21m, looks like a modern rooftop pool. A smooth slab of flat stone, often referred to as the kings stone throne, faces
Sri Lankan architectural tradition is well displayed at Sigiriya, the best preserved city centre in Asia from the first millennium, with its combination of buildings and gardens with their trees, pathways, water gardens, the fusion of symmetrical and asymmetrical elements, use of varying levels and of axial and radial planning.
The Complex consists of the central rock, rising 200 meters above the surrounding plain, and the two rectangular precincts on the east (90 hectares) and the west (40 hectares), surrounded by two moats and three ramparts.
The plan of the city is based on a precise square module. The layout extends outwards from co-ordinates at the centre of the palace complex at the summit, with the eastern and western axis directly aligned to it. The water garden, moats and ramparts are based on an 'echo plan' duplicating the layout and design on either side. This city still displays its skeletal layout and its significant features. 3 km from east to west and 1 km from north to south it displays the grandeur and complexity of urban-planning in 5th century Sri Lanka.
